WILLIAM DAILEY RARE BOOKS & FINE PRINTS

William@Daileyrarebooks.com

 

PRINTS & THE GRAPHIC ARTS

Including a Collection of Catalogues Raisonne

 

(Anastatic). ANASTATIC DRAWING SOCIETY FOR 1859. [Ashby-de-la-Zouch, England: 1859]. 4to, viii, 11, (1)pp; with 61 plates including frontispiece. Orig. decorated cloth-backed boards, light wear, some foxing. Good. ¶ The 1859 volume of a curious and scarce series published in England approximately between 1855-78. The object of the Anastatic Society was to delineate remains of antiquities, such as ancient buildings, sepulchral monuments, fonts, brasses, stained glass, tiles, armor, dress, jewelery, plates, embroidery, furniture, carvings, illuminations of ancient MSS, copies of rare prints, portraits, seals, coins, heraldry, etc. Included is a listing of members of the current year. $100.

(Archipenko, Alexander). KARSHAN, Donald. ARCHIPENKO. The Sculpture and Graphic Art, Including a Print Catalogue Raisonné. Boulder, Colorado: Westview Press, (1975). 4to, b/w illus. throughout, blue cloth, spine lettered in white, very mild soiling at cloth, otherwise nearly fine. ¶ First American Edition, originally published in German at Tubingen in 1974. With a print catalogue raisonné. $250.

(ARMSTRONG, Charles). ARMSTRONG & COMPANY ARTISTIC LITHOGRAPHERS. A Survey of Charles Armstrong’s Business in Black-and-White Lithography & Chromolithography. Boston: Boston Public Library, 1982. 4to, 67, (2)pp. Orig. green wrappers, fine. ¶ First Edition, 1000 copies printed at The Stinehour Press. $25.

AURIOL, George. LE PREMIER LIVRE des Cachets, Marques et Monogrammes Dessinés. Paris: Librairie Centrale des Beaux-Arts, 1901. 8vo, (12), 71, (1)pp., frontispiece, 712-color, recto-only illus. Illus. wrappers, very good. ¶ First Edition. Printed in the lovely Art Nouveau brushstroke font that Auriol designed for Peignot with designs of Auriol’s monograms, crests and seals in gray and terra-cotta in the japonisme style. Auriol was one of the leading figures in the art-nouveau movement. Preface by Roger Marx. Harvard, Turn of a Century 73. Fields 331. $250.

AUSTIN, Stanley. THE HISTORY OF ENGRAVING FROM ITS INCEPTION TO THE TIME OF THOMAS BEWICK. London: T. Werner Laurie, [ca. 1908]. 8vo, ix, 200pp, 18 plates. Orig. green cloth, lettered in gilt, some spots of foxing, otherwise a good copy. ¶ First Edition. $50.

 

 (BAWDEN, Edward). HOWES, Justin. EDWARD BAWDEN. A Retrospective Survey. With a Preface by Halina Graham. (Bath): Combined Arts, 1988. 4to, xv, 132pp, b&w illus. throughout. Plain wrappers, printed dust jacket, fine in near fine dj. ¶ First Edition, catalogue the Cecil Higgins Gallery collection of Bawden’s work. $125.

 

(Bellangé). ADELINE, Jules. HIPPOLYTE BELLANGE Et Son Oeuvre. Avec Eaux-fortes et Fac-similé. Paris: Quantin, 1880. Lg.8vo, v, (3), 274, (1)pp, portrait frontis, 8 etched plates, vignettes throughout. Half morocco, marbled boards, text uniformly browned throughout, very good. ¶ Scarce catalogue raisonné of Bellange’s drawings, lithographs and etchings, with a biography. Colin 138. $400.

 

(Bellows). ATKINSON, Scott D. & Charlene S. Engel. AN AMERICAN PULSE. The Lithographs of George Wesley Bellows. San Diego: San Diego Museum of Art. 1999. Sm 4to, x, 86pp, 60 b/w plates. Photo illus. wrappers, a few tiny rubbed spots, otherwise fine. ¶ First Edition. Published in conjunction with the George Wesley Bellows exhibition held at the San Diego Museum of Art in 1999. Includes essays, chronology, bibliography, annotated check list & index. $20.

(Beraldi). BIBLIOTHEQUE HENRI BERALDI. LIVRES ANCIENS... Paris; E. Ader & L. Carteret, 1934-36. Complete set in 5 vols. 4to, over 400 plates. Quarter black morocco, marbled boards, marbled endpapers, fine. ¶ One of the greatest ever to come to auction, Beraldi’s collection was particularly rich in fine bindings from the 16th through the 20th centuries; hundreds are illustrated in the catalogues. $650.

BERNARD, Pierre et al. 27 VOEUX POUR 1991. Paris: l’Atelier de Création Graphique-Grapus/l’Imprimerie Gerfau, 1990. 12mo, 27 numbered b/w and color plates. Black and white wrappers, inscrpt. at half-title, light rubbing, nearly fine. ¶ First Edition of this collaboration by Pierre Bernard, Dirk Behage, and Fokke Draaijer. $25.

(Besnard). MOUREY, Gabriel. ALBERT BESNARD. Paris: Henri Davoust, (1906). 4to, l54pp, numerous plates, some in color, & containing an orig. etching. Orig. decorative wrappers, very good. ¶ The original etching is entitled “La Morte.” An early study of Besnard, including a chapter on his etched work. Courboin & Roux 37. Colin 151. Freitag 686. $200.

(Blake). ESSICK, Robert N. THE SEPARATE PLATES OF WILLIAM BLAKE, A Catalogue. Princeton: Princeton University Press 1983. 4to, xxviii, 302pp, with 114 illus of which 9 are in color. Cloth, dust jacket, fine. ¶ The definitive work, expanding and correcting Keynes. $75.

(Blake, William). KEYNES, Geoffrey. WILLIAM BLAKE’S ENGRAVINGS. London: Faber & Faber, (1950). 4to, cloth. 142 plates. Very good. ¶ First Edition. Bentley 517. $100.

(Blake, William). KEYNES, Geoffrey & Edwin Wolf 2nd. WILLIAM BLAKE’S ILLUMINATED BOOKS, A Census. New York: Grolier Club,1953, reprinted New York: Kraus Reprint, 1953. 4to, xix, 124, (4)pp, illustrated. Cloth. Very good. ¶ Reprint of the original edition which was limited to 400 copies. $65.

(Blake, William). Thornton’s Virgil. XVII DESIGNS TO THORNTON’S VIRGIL 1821. Portland: Mosher, 1899. Tall 8vo, xx, 59pp, including 17 woodcuts after Blake and vignettes by Selwyn Image. Original boards rebacked, printed paper label, fine in very good printed white dust jacket. With the publisher’s slip noting Selwyn Image’s ornaments. ¶ 450 copies printed on hand-made paper. The woodcuts (the only ones WB ever did) are here reproduced for the first since their original appearance in 1821. The book also contains early designs by Selwyn Image and Arthur Heygate Makmurdo, leading figures of the Arts and Crafts Movements in England. Samuel Palmer said of the woodcuts: “They are visions of little dells, and nooks, and corners of paradise: models of the exquisitest pitch of intense poetry. I thought of their light and shade, and looking upon them found no word to describe it. Intense depth, solemnity, and vivid brilliancy only coldly describe them. There is in all such a mystic and dreamy glimmer as penetrates and kindles the inmost soul, and gives complete and un reserved delight...” And Calvert wrote: “They are done as if by a child; several of them careless and incorrect, yet there is a spirit in them, humble enough and of force enough to move simple souls to tears…” And finally, Laurence Binyon wrote: “They have the character of visions called up as if by moonlight out of the darkened surface of the wood…” $400.

(Bonnard). TERRASSE, Antoine. BONNARD ILLUSTRATEUR. Catalogue Raisonné. Paris: Adam Biro, 1988. 4to, 319pp, each entry illustrated. Original illustrated wrappers. Very good. ¶ Frst Edition. $150.

BORNET, Paul. DE LA GRAVURE ORIGINALE, DE LA GRAVURE DE REPRODUCTION EN PARTICULIER, DE QUELQUES VERITES GENERALES QUI SONT DES LIEUX COMMUNS QU’ON DEMANDE L’AUTORISATION DE REDIRE. Par Paul Bornet, Peintre-Graveur. Conference faite le 31 Janvier 1914 au Cercle de la Librairie, 117, boulevard Saint-Germain a l’Exposition des “Imagiers Modernes” 2e Exposition de la société artistique de la gravure sur bois. Avant-propos, Techniques, Généralités, Conclusion. Paris: Zay, d’Arthez, Dété, 1914. 8vo, 32pp. Orig. printed wrappers, slightly sunned & browned, a good copy. ¶ Signed by the author. A short lecture on the technique of etching delivered during the Exhibition “Les Imagiers Modernes” in 1914. $35.

(Boulanger). MARIE, Aristide. LE PEINTER POETE LOUIS BOULANGER. Paris: Floury, 1925. Sm. 4to, 140pp, plates & illustrations. Original wrappers. ¶ One of 100 deluxe copies on Japan. $150.

(Brangwyn). FURST, Herbert. THE DECORATIVE ART OF FRANK BRANGWYN. London: John Lane, 1924. Folio, 231pp, 33 color plates, 150 monochrome plates. Orig. cloth. ¶ First Edition of this comprehensive study on architectural decoration, stained glass-windows and applied art by Brangwyn (1867-1956). Freitag 1020. $185.

(Braque). VALLIER, Dora. BRAQUE. L’OEUVRE GRAVE. Paris: Flammarion, 1982. Folio, 319pp, illus. throughout. Original cloth, dustjacket. $80.

BROOKS, Alfred Mansfield. FROM HOLBEIN TO WHISTLER. Notes on Drawing and Engraving. New Haven: Yale University Press, 1920. 4to, xv, 194pp, with 71 illustrations. Orig. cream cloth back, blue boards, slight wear to corners, deco bookplate, a very good copy. ¶ First Edition. $50.

(Bruegel). KLEIN, H. Arthur. GRAPHIC WORLDS OF PETER BRUEGEL THE ELDER. New York: Dover, 1963. Oblong 4to, 288pp, numerous plates. Stiff wrappers.  $25.

CALLOWAY, Stephen. ENGLISH PRINTS FOR THE COLLECTOR. London: Lutterworth & Woodstock: Overlook, (1981). 4to, 232pp, with 250 illus, 20 in color. Cloth, dust jacket. Fine. ¶ First American edition. $35.

(Cameron). HIND, Arthur. THE ETCHINGS OF D.Y. CAMERON. London: Halton…, 1924. Folio, vii, 43pp, frontis. & 95 plates. Orig. black cloth slightly spotted, otherwise very good. ¶ Edition limited to 200 copies. Lists 470 of Cameron’s etchings made 1887-1923. With a pencil inscription by American graphic artist Gerald Geerlings. $100.

(Canaletto). KAINEN, Jacob. THE ETCHINGS OF CANALETTO. Washington: Smithsonian, 1967. Oblong n.p. Cloth, dustjacket. $30.

(Carriere). DELTEIL, Loys. EUGENE CARRIERE. New York: Da Capo, 1969. Folio, 45 works catalogued and illustrated. Cloth. ¶ Reprint of the 1913 edition. Volume VIII of Delteil’s Le Peintre-Graveur Illustré. $100.

CARRINGTON, Fitzroy. Typed letter signed, December 18, 1913, on Museum of Fine Arts Boston letterhead to Hill Tolerton of San Francisco, critiquing a typographic design. ¶ Carrington had just published his popular Prints and their Makers in the previous year. $25.

(CASSATT). BREESKIN, Adelyn Dohme. MARY CASSATT. A Catalogue Raisonné of the Graphic Work. Washington, D.C.: Smithsonian Institution Press, 1979. 4to, 189pp, color frontispiece, over 200 monochrome illus., 11 full-page color plates. Quarter green cloth over decor. boards, lettered in green, gilt title at spine, mild wear at corners, otherwise a nearly fine copy. ¶ First Edition of this catalogue raisonné. $185.

(Chasseriau). FISHER, Jay M. THEODORE CHASSERIAU. Illustrations for Othello. Baltimore Museum of Art, 1979. 4to, 159pp, illus. throughout. Wrappers. $30.

(Chasseriau, Theodore). CHEVILLARD, Valbert. UN PEINTRE ROMANTIQUE. THEODORE CHASSERIAU. Paris: Lemerre, 1893. 8vo, 323pp, original etched frontis. portrait by Bracquemond. Original wrappers, rebacked. $125.

CHATTERTON, E. Keble. OLD SHIP PRINTS. With Fifteen Illustrations in Colour and Ninety-Five in Black and White from the MacPherson Collection. London: John Lane The Bodley Head, (1927). 4to, (14), 182, (8, ads), color frontispiece, 109 plates (13 in color). Orig. green cloth, front joint rubbed, very good. ¶ First Edition of this very thorough work on art associated with exploration and sailing. $200.

(Chiarscuro). CLAIRS - OBSCURS, Gravures sur Bois Imprimées en Couleurs de 1500 à 1800 Provenant de Collections Hollandaises. Paris & Rotterdam, 1965-66. 8vo, 75pp + 40 b/w plates & 2 folding color plates. Wrappers. Very good. ¶ Illustrated catlaogue of the exposition at the Insitut Neerlandais in Paris and at the Musée Boymans - Van Beuningen in Rotterdam. With an introduction by Frits Lugt. and a historial essay by Carlos van Hasselt. $35.

(Christiansen). ZIMMERMANN-DEGEN, Margret. HANS CHRISTIANSEN. Leben und Werk eines Jugendstilkünstlers. Teil I. (Königstein im Taunus): Langewiesche, (1985). Folio, 192pp, 386 illus., most in full color. Illus. wrappers, fine. ¶ First Edition, with poster reproduction laid in. $75.

(Clark, Willard). FARMER, David. WILLARD CLARK, Printer & Printmaker. Abilene: Four-o Publishing, 2000. 4to, (6), 55pp, illus. throughout in color & b/w. Cloth, printed label. Fine. ¶ First Edition, one of 200 cloth bound copies. $250.

COLIN, Paul. EN JOUE. FEU! 1939-1965. [Paris]: Rene Julliard, (1965). Sm Folio, 44 b/w plates. Black boards, lettered in red and white, illus. vignette, inscrpt. and drawing at ffep, spine ends worn, otherwise a very good copy. ¶ Presentation copy with Colin’s inscription and drawing of crossed French and American flags. $85.

(Courbet). BOAS, George (ed.). COURBET AND THE NATURALISTIC MOVEMENT. Baltimore, Johns Hopkins, 1938. 8vo, 149pp, plates. Quarter cloth, boards. $50.

(Cruikshank). DOUGLAS, R.J.H. THE WORKS OF GEORGE CRUIKSHANK Classified and Arranged with Reference to Reid’s Catalogue and Their Approximate Values. London: J. Davy, 1903. 4to, 302pp, frontispiece. Orig. red cloth. External wear, hinges re-enforced, otherwise very good. ¶ First Edition of the great catalogue by Captain Douglas. $200.

(Cruikshank). THE WORKS OF GEORGE CRUIKSHANK in Oil, Water Colors, Original Drawings, Etchings, Woodcuts, Lithographs and Glyphographs Collected by John B. Gough. Boston: Club of Odd Volumes, 1890. 4to, 56ff printed on one side only, 28 plates. Orig. boards sunned, very good. ¶ Edition limited to 135 copies. One of the earlier Cruikshank catalogues. Cohn p.358. $250.

(Cruikshank). PATTEN, Robert L. GEORGE GRUIKSHANK’S LIFE, TIMES, AND ART. Vol. 1: 1792-1835; Vol. 2: 1835-1878. London: Lutterworth, 1992 & New Brunswick: Rutgers University Press, 1996. 2 vols, 8vo, 495pp, 81 b/w illus; 656pp, 81 b/w illus. Cloth, fine in dust jackets. ¶ The definitive biography of the great Victorian caricaturist. $100.

(Daumier). DAUMIER RACONTE PAR LUI MEME ET PAR SES AMIS. Geneva: Pierra Cailler, 1945. 8vo, 309pp, 23 plates. Original wrappers, unopened. $35.

(De Feure). MILLMAN, Ian. GEORGES DE FEURE Maitre du Symbolisme et de l’Art Nouveau. Paris: ACR, 1992. 4to, 304pp, 328 plates (259 in color). Cloth, dust jacket, slipcase. Fine. ¶ Only edition of the definitve work on de Feure. $250.

(Delacroix). ROBAUT, Alfred. L’OEUVRE COMPLET DE EUGENE DELACROIX. Peintures, Dessins, Gravures, Lithographies...Commenté par Ernest Chesneau... Paris: Charavay, 1885. 4to, lxii, 537, (1)pp, frontis, 5 plates, nearly each entry illustrated with a vignette. Quarter calf, gilt, by Norstedt, Stockholm, very good indeed. ¶ The first catalogue raisonné of Delacroix’s work, an elaborate undertaking with 1968 works catalogued and described. $400.

(Denis). CAILLER, Pierre. CATALOGUE RAISONNE DE L’OEUVRE GRAVE ET LITHOGRAPHIE DE MAURICE DENIS. Geneva: Pierre Cailler, 1968. 8vo, (184pp), illus. throughout. Original wrappers. Very good. ¶ Edition limited to 700 copies. $150.

(Denis, Maurice, illus.). Francis Thompson. POEMES… Traduits par Elizabeth M. Denis-Graterolle. Paris: Ambroise Vollard, 1939. Folio, 65 orig. lithographs by Denis printed by Clot (13 hors-texte in color, 56 within the text). Orig. wrappers. Fine. ¶ One of 260 copies, this copy on Van Gelder. The work was left unpublished by Vollard in 1939 and issued by Martin Fabiani and Lucien Vollard in 1942. Johnson, Vollard, 182. Rauch 13. $2000.

DOBSON, Margaret. LINO PRINTS. London: Sir Isaac Pitman, (1931). 8vo, xiv, 114, 16 as catalogue pp, color frontispiece, misc. b&w illus. Quarter cloth over printed boards, very good. ¶ First Edition. With the bookplate of master printer Vance Gerry. $25.

(Doré). LEBLANC, Henri. CATALOGUE DE L’ŒUVRE COMPLET DE GUSTAVE DORE… Paris: Bosse, 1931. 8vo, (8), 558pp, including several full-page illustrations. With a lithograph frontispiece portrait of Doré, 1 double-page plate & 2 photographs. Later cloth. ¶ First Edition of the major catalogue raisonné of Doré. $500.

DUCOMPEX, E[tienne] A[natole]. ALBUM DE LETTRES Dessine & Compose par... Peintre Decorateur... Liege: Ch. Claesen, [n.d., ca 1900]. Folio, chromo title, 5pp text, 25 chromo plates. Printed boards somewhat rubbed, recently rebacked in black cloth. ¶ Magnificent chromolithographic plates of decorative alphabets intended as inspirations for sign painters. Rare. $2000.

DUPLESSIS, Georges. DE LA GRAVURE DE PORTRAIT EN FRANCE. Mémoire couronné par l’Institut de France (Académie des Beaux-Arts). Paris: Rapilly, Libraire & Marchant d’Estampes, 1875. 8vo, iv, 162pp + ads. Orig. printed wrappers, slightly wear to extremities, otherwise a very good copy. ¶ Commissioned by the Académie des Beaux-Arts. Courboin & Roux I, 229. $50.

(Dürer). DELARUE, Henri. ALBERT DÜRER MINIATURISTE. Geneva: Editions Sonor, 1920. 4to, 12pp, 1 color plate, 16 b/w plates, orig. wrappers, very good. ¶ Edition limited to 200 copies. The text and plates describe a miniature illustrated Passion of 1521 by Dürer. $50.

EICHENBERG, Fritz. THE ART OF THE PRINT. Masterpieces. History. Techniques. New York: Harry N. Abrams, (1976). 4to, 611pp, 653 b&w, 95 color illus. Gray cloth, gilt lettered, dust jacket, fine in like dj. ¶ First Edition. $75.

EMERY, C.A. AMERICAN HANDBOOK OF INDUSTRIAL DRAWING, For Schools and Home Instruction. A Simple Application of Practical Geometry to the Daily Wants of the Mechanic and Artisan, with a Complete Explanation of the Use of Instruments as Applied to Architectural and Mechanical Drawing. Part 1 - Complete in Itself. Springfield, Mass.: Milton Bradley, 1876. Oblong 4to, 20pp, 2 plates, 40 figures. Dec. wrappers, damage to upper corner not affecting text, upper wrapper loosening, otherwise very good. $30.

ENGEN, Rodney K. VICTORIAN ENGRAVINGS. London: Academy Editions, (1975). 4to, wrappers, very good. ¶ First edition. $30.

(Ensor). DELTEIL, Loys. LEYS. DE BRAEKELEER. ENSOR New York: Da Capo, 1969. Folio, 132 works catalogued. Cloth. Very good. ¶ Reprint of the 1925 edition. $125.

(Ensor, James). CROQUEZ, Albert. L’ŒUVRE GRAVÉ DE JAMES ENSOR. Geneve: Pierre Cailler, 1947. 4to, 129 b/w & 8 color plates. Blue cloth, light soiling to dust jacket, otherwise very good. ¶ Catalogue raisonné of 133 prints (mainly etchings and drypoints), 1886-1934, indexed by title, together with a biographical sketch of the artist. $125.

ERCOLI, Giuliano. IL POCHOIR ART DECO. Firenze: Giunti, (1987). 4to, wrappers. Fine. $145.

(Ernst). MAX ERNST. Frottagen, Collagen, Zeichnungen, Graphik, Bucher. (Zurich): (Kunsthaus), (1978). 4to, 221pp, 16 full-page color plates, over 200 monochrome and color text illus. ¶ First Edition of this exhibition catalogue listing 259 collages, drawings, and other works by Max Ernst. $40.

(Etching). FORGOTTEN PRINTMAKERS OF THE 19th CENTURY. Chicago: Kovler Gallery, 1967. 8vo, 160pp, illus. Wrappers. Fine. ¶ Useful catalogue of prints with biographies of Besnard, Boldini, Buhot, Chahine, Deveria, Gavarni, Lepere, Steinlen, Tissot, et al. $75.

FARMER, Jane M. AMERICAN PRINTS FROM WOOD. Washington: Smithsonian, 1975. 4to, 64pp, 107 illus. Wrappers, very good. ¶ Catalogue of an exhibition of American woodcuts and wood engravings. Scarce $40.

(Feininger). PRASSE, Leona E. LYONEL FEININGER, A Definitive Catalogue of his Graphic Work, Etchings, Lithographs, Woodcuts. Cleveland: Cleveland Museum of Art, 1972. 4to, 304pp. 332 illustrations in b/w. Brown cloth in DJ. Very good. ¶ First Edition. Freitag 2880. Karpel M56. Riggs p.267. $350.

(Forain). GUERIN, Marcel. J.-L. FORAIN AQUAFORTISTE. Catalogue Raisonne Paris: Floury, 1912. 3 vols, 4to, 130 plates. plus an original etching by Forain. Full cloth, leather spine labels.  ¶ Edition limited to 300 copies. Colin 771. Freitag 3018. $1000.

FOWLER, Alfred, ed. THE ROMANCE OF FINE PRINTS. Kansas City: The Print Society, 1938. 4to, 194pp, illustrated. Orig. black cloth, dust jacket split at backstrip & few chips, otherwise fine. ¶ First Edition, printed in a small edition, with essays by Campbell Dodgson, Winslow Ames, and others, on Durer, Stephen Gooden’s bookplates, Piranesi, etc. Includes a frontispiece portrait of T.J. Cobden-Sanderson from the original plate by Sidney Smith. $75.

FRAIPONT, Gustave. LE CRAYON ET SES FANTAISIES. Sanguine, Crayon Noir, Crayon Blanc etc. Paris: H. Laurens, [ca. 1890]. 8vo, iv, 68pp, 32 illus. & 4 color plates. Orig. printed wrappers rebacked, very good. ¶ Fraipont (b.1849) illustrated various books and wrote numerous instructional manuals on drawing, sketching, etching and painting which had a considerable influence. $50.

FRANKLIN, Colin. THEMES IN AQUATINT. San Francisco: The Book Club of California, 1978. Tall 4to, viii, 104pp + frontis and 15 plates. Quarter cloth, gilt, marbled boards, fine. ¶ Edition limited to 500 copies, the color plates printed at the Curwen Press and the text at the Cambridge University Press. This interesting review of books illustrated with color plates includes sections on sport, common life, doggerel, city and cottage, views, tours, etc. Olmsted 160. $125.

(French engraving). QUELQUES ESTAMPES. Gracieuses & Précieuses du XVIII Siécle. Préface et Notices de Jérome Doucet. Paris: Longuet, 1913. Sm. 4to, (30)pp, signatures loose in portfolio, 6 tipped-in plates on heavy paper. Cloth backed portfolio, marbled boards, title label, a very good copy. ¶ First Edition, with excellent reproductions of prints by Baudouin, Watteau, Fragonard, Debucourt, and Desrais. $100.

(Fuchs). ERNST FUCHS. Druckgraphik von 1945 bis 1968 Frankfurt: Galerie Sydow, (1968). 8vo, 88pp, many color& b&w plates. Illus. wrappers, bump to spine head, otherwise very good+. ¶ First Edition. $35.

(Fuchs). WEIS, Helmut. ERNST FUCHS. Das Graphische Werk. (Wien/Munchen: Verlag fur Jugend un Volk), (1967). 4to, 192pp, full-page b/w and color plates throughout, light purple cloth, illus. in orange, dust jacket, a fine copy in nearly fine dj with slight marginal tears, housed in good dampstained red cloth slipcase. ¶ First Edition of this finely illustrated catalogue raisonné. $150.

FURSTENBERG, Jean. LA GRAVURE ORIGINALE DANS L’ILLUSTRATION DU LIVRE FRANÇAIS AU DIXHUITIEME SIECLE. Die Original-Graphik in der französischen Buch Illustration des achtzehnten Jahrhunderts. Hamburg: Ernst Hauswedell, 1975. 4to, 438, (2)pp, 211 plates, cloth, paper label, fine. ¶ 600 copies printed; with French and German text. A selection of 18th century French illustrated books from the collection, now in Stuttgart, of Jean Fürstenberg. Compared to Cohen-Ricci, the number of books is small but Fürstenberg places them in the art-historical context, discussing book-binders, gilders, illustrators and collectors. $100.

(Fuseli). ANTAL, Frederick. FUSELI STUDIES. London: Routledge & Kegan Paul, 8vo, 176pp, 64 plates. Cloth, dustjacket. $45.

GARNER, Philippe. CONTEMPORARY DECORATIVE ARTS From 1940 to the Present. New York: Facts On File, (1980). 4to, 224pp, color and b&w illus. throughout. Red cloth, gilt lettered, dust jacket, fine in price-clipped, lightly soiled near fine dj ¶ First American Edition. $50.

(Gauguin). GUERIN, Marcel. L’OEUVRE GRAVE DE GAUGUIN San Francisco: Wofsy, 1980. 4to, cloth, dustjacket. ¶ Reprint of the 1927 edition. Freitag 4084. Riggs p.295. Lucas p.147. $125.

(Gavarni). GONCOURT, Edmond & Jules de. GAVARNI. L’Homme et L’Oeuvre. Paris: Plon, 1873. Lg. 8vo, 432pp, original frontis. portrait etched by Flameng, 2ff facsimile letter. Red cloth, yapp edges, orig. wrappers bound in, front hinge cracked, otherwise very good copy with the engraved bookplate of A. Delzant. ¶ First Edition. The Goncourts were very well acquainted with Gavarni, hence this is one of the best studies of his life and works. The facsimile letter included here is written to the Goncourts and dated 1852. Talvart & Place 27A. Colin 814. Bourcard p.178. $150.

(Gavarni). LEMOISNE, Paul-Andre. GAVARNI, Peintre et Lithographe. Paris: Floury, 1924. 4to, ix, 216pp, plates throughout. Velin backed boards, orig. wrappers bound. Handsome copy. ¶ First Edition. $125.

GAVARNI [Sulpice-Guillaume Chevalier, called Paul]. LE MANTEAU D’ARLEQUIN. Paris, [ca. 1835]. Folio, 12 orig. lithographs with captions. Publisher’s blue cloth boards, blind and gilt stamped. Fine set. ¶ Charming suite of images of romance, love, and loyalty, drawn in Gavarni’s sweetly satirical style. Armelhant & Bocher, L’Oeuvre de Gavarni, 1152-63. $400.

(Gericault). DELTEIL, Loys. GERICAULT. New York: Da Capo, 1969. 4to, cloth. Reprint of the 1924 edition. $125.

(Gericault). EITNER, Lorenz. GERICAULT. Los Angeles County Museum of Art, 1971. Exhibition catalogue, 4to, 187pp, illustrated. Wrappers. $20.

(Gericault, Theodore). THEODORE GERICAULT. The Hans E. Buhler Collection of Pictures, Drawings and Lithographs. London: Christie, Manson & Woods, 1985. 4to, catalogue with 155 lots, price list laid in. Boards. $35.

GERLACH, M. ALLEGORIEN. Neue Folge. Vienna: Verlag Gerlach-Schenk Kunst-Gewerbe, [n.d., ca. 1900]. ¶ Individual plates available at $100. to $300. $300.

(Gill). THORP, Joseph. ERIC GILL, With a Critical Monograph by Charles Marriott. London: Cape, 1929. 4to, viii, 27pp, with a portrait frontispiece, a picture of Gill’s hands in action carving stone, and 38 plates. Orig. black cloth rebacked & corners repaired, new endpapers, very good. ¶ First Edition, surprisingly scarce and very nicely printed and illustrated. With articles on Gill as a carver and on his art. Freitag 3491. $175.

(Gilly). NEUMEYER, Fritz (ed.). FRIEDRICH GILLY. Essays zur Architektur 1796-1799... (Berlin): Ernst & Sohn, (1997). Tall 8vo, 240pp, 41 b/w text illus., 36 full-page b/w plates. Navy boards, speckled with brown, lettered in white, a fine copy. ¶ German reprint edition, first published in English by the Getty Center for the History of Art and the Humanities in 1994. Includes a photographic reprint of the 1801 catalogue of Gilly’s book and engraving collection. $35.

GLAISE, N., Peintre. MODELES DE LETTRES Sur Vingt Tons de Fonds Differents. Dourdon: Emile Thezard, [ca. 1901]. Folio, 4pp text + 25 chromolithographic plates. Printed boards, red cloth backstrip torn, otherwise very good. ¶ Superb collection of ornamental alphabets and typographical designs published as models for sign painters. $1500.

(Goltzius). HIRSCHMANN, Otto. HENDRICK GOLTZIUS... Mit einem Titelbild & 49 Tafeln. Liepzig: Von Klinkhardt & Biermann, (1919). 4to, (6), 187pp, frontispiece, plus 46 b/w and 3 color plates. Quarter tan cloth over tan boards, lettered in blue, spine worn, light wear to extremeties, otherwise very good with clean text and plates. ¶ First Edition. Volume VII in the Meister der Graphik series. Essays, with plates of the 16th century master engraver’s work. $30.

GOOKIN, Frederick William. JAPANESE COLOUR-PRINTS AND THEIR DESIGNERS. A Lecture Delivered Before The Japan Society of New York April 19, 1911 To Which is Appended a Catalogue of a Loan Collection of Japanese Colour-Prints Exhibited at the Fifth Avenue Building April 19 to May 19, 1911 Together With Reproductions of Representative Prints Included in the Exhibition. New York: The Japan Society, 1913. Sm folio, 52pp, tipped in color print reproductions. Quarter gray cloth over gray boards, gilt lettered, lt wear to extremities, some soiling, stains, otherwise very good. ¶ First Edition, limited to 1000 copies, this being copy 391. Printed by The Devinne Press. $225.

(Goya). SAYRE, Eleanor A. THE CHANGING IMAGE: Prints by Francisco Goya. Boston: Museum of Fine Arts, (1974). 4to, paperback. Very good. $30.

GRAF, Gottfried. DER NEUE HOLZSCHNITT UND DAS PROBLEM DER KÜNSTLER. [Stuttgart]: Heilbronn, [1927]. Folio, 127pp, woodcuts throughout. Orig. quarter white cloth, orange boards, decoratively lettered in black, very good. ¶ First Edition, dealing with contemporary German woodcut artists in terms of technique and philosophy, with chapters on Expressionism, Cubism, etc. $70.

(Graphic Design). ART AND GRAPHICS. Reciprocal Relations between Contemporary Art and Graphics... Zurich: ABC Verlag, (1983). Obl 4to, 185pp, several hundred b/w and color illus. throughout. White boards, lettered in black, dust jacket, a nearly fine copy in like dj. ¶ First Edition. Sixteen artists express their views, with text in English, German, and French. $30.

(Graphic Design). THE CHAMPION BOOK OF DECORATIVE MATERIAL. No.2. Hamilton: Champion Coated Paper, (1931). 4to, unpaginated (approx. 120pp), color illus. throughout. Dec. red wrappers, hinges professionally reinforced, lt soiling to wrappers, otherwise very good. ¶ Sample book with over 500 examples of decorative borders, initials, patterns, designs, and ornaments. With the bookplate of master printer Vance Gerry, with his bookplate and neat repair. $50.

GRAY, Basil. THE ENGLISH PRINT. London: Adam & Charles Black, 1937. 8vo, xvi, 225pp, 24 collotype plates. Cloth, with panels of dj laid in. Art nouveau bookplate. Very good. ¶ First Edition. $15.

GUIBERT, Joseph. LE CABINET DES ESTAMPES DE LA BIBLIOTHEQUE NATIONALE, Histoire des Collections suivie d’un Guide du Chercheur. Paris: Le Garrec, 1926. Tall 8vo, (2), 270, (2)pp. With 32 plates. Half morocco, 2 gilt labels. Very good. ¶ Only Edition, limited to 425 copies, of this well-edited work comprising the history of one of the world’s major print collections since its beginning in 1667. $200.

GUNSAULUR, Helen & Margaret O. Gentles. THE CLARENCE BUCKINGHAM COLLECTION OF JAPANESE PRINTS. Chicago: The Art Institute, 1955- 1965. 2 vols, folio, 284; 307pp, 17 color, 1061 b/w photos, index, glossary, bibliog. Brick cloth. Very good set. ¶ First Edition. Vol. 1, The Primitives, by Helen Gunsaulur, limited to 500 numbered copies; vol. 2, Harunobu, Koyusai, Shigemasa, their Followers and Contemporaries, by Margaret O. Gentles, limited to 1000 copies. Arntzen N145. $1100.

(Guys). GEFFROY, Gustave. CONSTANTIN GUYS. L’HISTORIEN DU SECOND EMPIRE. Paris: G. Cres, 1920. 4to, 109pp, plates. Original wrappers. ¶ Edition limited to 1100 copies. $50.

(Haden). DRAKE, William Richard. A DESCRIPTIVE CATALOGUE OF THE ETCHED WORK OF SEYMOUR HADEN. London: Macmillan, 1880. 8vo, ca.115pp. Cloth, gilt, joints worn, otherwise very good. ¶ The first catalogue raisonné of Haden’s work, which remained the standard work until Harrington’s monumental catalogue. Describes of 185 etchings, with index. Levis 266. Colin 937. $250.

(Haden). HARRINGTON, H. Nazeby. THE ENGRAVED WORK OF SIR FRANCIS SEYMOUR HADEN. An Illustrated and Descriptive Catalogue. Liverpool: Henry Young, 1910. Folio, 120pp, 109 plates. Original quarter calf, cloth. Very good. ¶ Edition limited to 75 copies signed by the author. Excessively rare. $1250.

(Hardie). HARDIE, Frank (ed.). THE PRINTS OF MARTIN HARDIE. Edited from the Artist's Manuscript Record... Oxford: The Ashmolean Museum, 1975. Sm 4to, xiv, 83pp, frontisportrait, appx. 200 b/w illus., 10 full-page plates. Dark blue wrappers, lettered in light blue, corners slightly bumped, otherwise a nearly fine copy. ¶ First Edition of this catalogue raisonne which reproduces from his manuscript record around 200 of Hardie's drawings. $35.

(Hassam). THE ETCHINGS AND DRYPOINTS OF CHILDE HASSAM. With an Introduction by Royal Cortissoz. New York: Scribner’s, 1925. 4to, 96pp, with an original etching signed as the frontispiece, and numerous reproductions in the text. Original blue quarter cloth, printed boards, bookplate, fine. ¶ Limited to 400 copies, this catalogue raisonné of Hassam’s work to date has a superb original proof etching at the front entitled “Cos Cob.” Freitag 4162. $1250.

HASSELT, Carlos van. MORCEAUX CHOISIS. Parmi les Acquisitions de la Collection Frits Lugt. Realisées sous le Directorat de Carlos van Hasselt 1970-1994. Paris: Fondation Custodia, 1994. Sm 4to, 306pp, 129 b&w and color plates. Blue cloth, paper label to upper board, lacks spine label, owner’s sig., otherwise a near fine copy. ¶ First Edition, limited to 1500 copies. $125.

(Heartfield). SIEPMAN, Eckhard. MONTAGE: John Heartfield vom Club Dada sur Arbeiter-Illustrierten Zeitung. Berlin: Elefanten Press, 1974. 4to, 207pp illustrated throughout. Color wrappers, light edge wear, very good. $35.

(Heckel). DUBE, Annemarie and Wolf-Dieter. ERICH HECKEL. Das Graphische Werk. New York: Ernest Rathenau, 1974. 3 vols, cloth. Very good. $500.

HENRIET, Frédéric. LE PAYSAGISTE AUX CHAMPS. Paris: A. Levy, 1876. 4to, 142pp, 20 orig. etchings, 2 etched reproductions. Orig. publisher’s emerald green cloth elaborately stamped in gilt and black. A fine copy. ¶ Edition limited to 135 copies. An important, beautiful and rare example of a Barbizon illustrated book. Charles Frédéric Henriet (1826-1918), painter, engraver and author, was intimately acquainted with the artists of the Barbizon school, including Daubigny, Corot and Harpignies, and here provides a look at the workings of the major plein air artists, their methods, theories and styles. Henriet was the author of the first catalogue raisonné of Daubigny’s works and founded the museum at Chateau-Thierry which houses a major collection of Barbizon School paintings. The present work includes the following original etchings: Corot, Solitude; Daubigny, Le Botin à Conflans; Harpignies, Hameau; Lalanne, Retour au Gite and Le Passage de la Marmite; Lhermitte, A l’Auberge and Au Village; Veyrassat, Cour de Ferme; Delauney, Le Pont Neuf, and works by Pèquègnot, Taiée, Portier, deGroseilliez, deBellé, Cassagne and L. and J. Debrosses. $2750.

HERNAD, Beatrice. INVENTARIO DEGLI INCISORI TEDESCHI E FIAMMINGHI DEL SECOLO XV. Repertorio Citico de… Introduzione e Coordinamento de Marzia Faietti. (Bolongna): Arts & Co., (1993). Sm Folio, 498, (3)pp, 295 b&w illus., 16 color plates. Brown cloth, gilt-lettered, dust jacket, owner’s sig., otherwise fine in like dj. ¶ First Edition.Volume VIII of the Catalogo Generale delle Incisioni. Catalogue for the exhibition of 15th century engravings held in Bologna at the Museo Civico Archeologico in 1993. Text in Italian. $60.

(Hogarth). LICHTENBERG, G. Ch. LICHTENBERG’S COMMENTARIES ON HOGARTH’S ENGRAVINGS. Translated from the German and with an Introduction by Innes and Gustav Herdan. London: Cresset Press, 1966. Tall 8vo, xxiii, 297pp, 14 plates. Sienna cloth, gilt lettered, fine. ¶ First Edition in English. Lichtenberg’s revised and enlarged version from 1794-1799 of his acclaimed original 1784-1796 series of Hogarth commentaries for the German literary journal Göttinger Taschenkalender. Scarce. $150.

HOGARTH, William. THE ANALYSIS OF BEAUTY. London:, [no date, ca. 1810]. 4to, (2), pp.71-229, 2 large folding plates. Library cloth. Bottom corner of title & 2nd leaf cut away, plates torn & repaired, browned. A working copy. ¶ Unrecorded edition, probably extracted form a collected edition. Hogarth’s only book is one of the most important aesthetic statements of the 18th century. In this ambitious treatise, Hogarth attempted to establish a standard of eauty. He bases his argument on the principle that beauty consists in the uniformity found in the curved or serpentine line, and that round figures are most pleasing. He recommends “considering solid objects as only think shells composed of lines, like the outercoat of an onion.” Not in Read, “Some Observation on William Hogarth’s Analsysis of Beauty: a Bibliographical Study,” or Weitenkampf. $80.

(Hokusai). TOMKINSON, William. HOKUSAI. Master of the Japanese Ukiyo-ye School of Painting. N.p.: Privately Printed, (1904). 4to, 6pp, 6 color woodblock print reproductions. Quarter burgundy morocco over cloth, gilt lettered, some rubbing to spine and corners, otherwise near fine in very good binding. ¶ First Edition. $250.

HOLME, Charles, ed. MODERN ETCHING AND ENGRAVING. New York: John Lane, Office of ‘The International Studio,’ 1902. 4to, 224 plates. Orig. green cloth, very good, bookplate. ¶ First Edition. $85.

HORWITT, Nathan George. A BOOK OF NOTABLE AMERICAN ILLUSTRATORS. Vol. 2, 1927 [with] Vol. 3, 1928. 2 vols, 4to, quarter cloth. Fine. ¶ With examples by Helen Dryden, Lucien Bernhard, Covarrubias, Pogany, John Held, Kent, Wyeth, Hugh Ferriss, Charles B. Falls, Cleland et al. $75.

HUBBARD, E. Hesketh (ed.). ON MAKING AND COLLECTING ETCHINGS. Woodgreen Common, England: The Print Society & New York: Boni & Liveright, 1923. 8vo, 183pp, 10 plates. Quarter cloth, printed paper label, very good. ¶ Revised edition with additional notes. $25.

HUBBARD, Hesketh, ed. HOW TO DISTINGUISH PRINTS. Wiltshire, England: The Print Society, 1926. 4to, 127pp, inc. 32 plates, some in color. Velin backed boards. Very good. ¶ First Edition of an excellent guide, this copy inscribed by Hesketh Hubbard. $100.

HUGHES, Therle. PRINTS FOR THE COLLECTOR. British Prints from 1500 to 1900. New York: Praeger, (1971). Tall 8vo, 216pp + 48 b/w plates. Cloth, dust jacket. Very good. $25.

(Iconophiles). CATALOGUE OF THE ENGRAVINGS ISSUED BY THE SOCIETY OF ICONOPHILES of the City of NY… New York: [Society of Iconophiles], 1908. Tall 8vo, 87pp, orig. engravings on frontispiece & title, & with several vignettes. Quarter red morocco with gilt boards, headcaps slightly rubbed. Very good uncut copy. ¶ Only Edition, limited to 125 copies on handmade paper, compiled by Richard Hoe Lawrence and with an introduction by William Loring Andrews. The catalogue gives historical notes and includes an autobiography of the Society’s famous engraver Edwin Davis French, with a list of members. NUC records 8 copies. $50.

(Igarashi, Takenobu). (THORNTON, Richard S.). TAKENOBU IGARASHI. (Tokyo: Graphic-Sha), [n.d., ca. 1987]. 4to, 110-156pp, b/w and color photo-illus. (many full-page) throughout. White wrappers, illus. in blue, mild soiling, otherwise a nearly fine copy. ¶ Reprinted from Seven, April 25, 1985. With an announcement for a 1988 exhibition at the Galerie von Oertzen, Frankfurt-am-Main which includes an Igarashi chronology 1944-86. $85.

IVES, Colta. THE GREAT WAVE: The Influence of Japanese Woodcuts on French Prints. New York: Metropolitan Museum of Art, 1974. 4to, cloth, dust jacket. Very good copy. $75.

(Jacoulet). MILES, Richard. THE PRINTS OF PAUL JACOULET: A Complete Illustrated Catalog. London: Sawers/ Pacific Asia Museum, (1982). 4to, 140p., index, glossary, appendix, profusely illustrated with 18 color, 166+ color & b.w. photos, bibliography. Illustrated boards. Fine.

¶ Only Edition of the catalogue raisonne, with an essay by Yone Noguchi on his prints. An excellent reference for each of his prints, giving identification of the seal, dates, carver, printers, title, and edition, with commentaries on each work. $150.

(Japanese Prints). NAGASAKI AND YOKOHAMA PRINTS FROM THE RICHARD GUMP COLLECTION. San Francisco: Asian Art Museum of San Francisco, 1981. 4to, 40pp, 3 color and 21 b/w illus. Illustrated wrappers, lettered in white, mild rubbing, faint traces of adhesive at upper wrapper, very good. ¶ First Edition. The arrival of Westerners to Japanese ports is the predominant theme of the 19th century wood-block prints selected for this 1981 exhibition. $20.

(Japanese Prints). FICKE, Arthur Davison. ILLUSTRATED CATALOGUE of an Exceptionally Important Collection of Rare and Valuable Japanese Color Prints, together with a Few Paintings of the Ukioye School... New York: American Art Association, 1920. 8vo, appx. 300pp, over 200 b/w illus. Navy cloth, spine lettered in gilt, a fine copy. ¶ Auction catalogue for the collection of the noted author and Japenese art specialist, Arthur Davison Ficke. The 901 items listed include works from the most important Japanese print makers from the mid 17th through mid 19th centuries. $300.

(Johannot). MARIE, Aristide. ALFRED ET TONY JOHANNOT. Peintres, Graveurs et Vignettistes. Paris: Floury, 1925. 4to, 123pp, illustrated. Orig. wraps. $75.

(Kandinsky). ROETHEL, Hans Konrad. THE GRAPHIC WORK OF KANDINSKY. International Exhibitions Foundation, 1974. 4to, 87pp. Orig. wrappers. $45.

(KARSHAN COLLECTION). LANGUAGE OF THE PRINT. A Selection from the Donald H. Karshan Collection. Preface by A. Hyatt Mayor. Foreword and Essay by Richard V. West. Chanticleer Press, 1968. 4to, 112pp, 71 b/w illustrations. Cloth. Very good in slightly worn dj. ¶ Karshan (1930-2003) was a museum curator (The New York Cultural Center, successor to Huntington Hartford’s Gallery of Modern Art), collector, author and lecturer who established the Museum of Graphic Art in the 1960s. His print collection, assembled during the late 1950s and 1960s, was comprised of masterpieces from the Fifteenth Century to the present. $15.

KEPPEL, Frederick. THE GOLDEN AGE OF ENGRAVING, A Specialist’s Story about Fine Prints. New York: Baker & Taylor, (1910). 8vo, xliii, 314pp, 262 b/w illus. Brick cloth, tear to headcap, otherwise very good. ¶ First Edition, inscribed by the author in the year of publication. “Deals with many sides of the subject of print-collecting so as to convey a large amount of information in a chatty and charming manner” (Levis pp.81-2). $40.

(Kollwitz). BONUS, Arthur. DAS KATHE KOLLWITZ WERK. Dresden: Carl Reissner, 1930. Sm. 4to, 182pp, illus, original cloth. $50.

KRIEGEL, Harry. ENCYCLOPEDIA OF PRINTING LITHOGRAPHIC INKS AND ACCESSORIES. Secrets, Formulae and Helpful Hints for Craftsmen in the Graphic Arts. New York: Superior Printing Ink, (1932). 8vo, 256pp, 12 plates. Orig. blue cloth in chipped dust jacket. ¶ First Edition. This miscellany of hints on inks includes chapters on watercolors, fastness of colors, and printing on rubber, and suggestions on differentiating colors. $80.

KURTH, Dr Julius. DER JAPANISCHE HOLZSCHNITT. Ein Abriss Seiner Geschichte. Munich: Piper, 1911. 8vo, 126pp, numerous illustration. Illus. boards. Fine copy in damaged slipcase. ¶ Includes a fold-out plate of artists’ signatures. Not in Abrams. $30.

(Laboureur). Anne Lombardini. J.E. LABOUREUR, Vie & Oeuvre Gravé. L’Equerre, 1987. Lg 8vo, illus, white wrappers. $45.

(Lami). LEMOISNE, Paul-AndrÈ. L’OEUVRE D’EUGENE LAMI. Lithographies. Dessins. Aquarelles. Peintures. Essai díUn Catalogue RaisonnÈ. Paris: H. Champion, 1914. 8vo, 448pp. Cloth, orig. wrappers bound in. With a visiting card of the author laid in. $350.

(Landacre). RITCHIE, Ward. SOME BOOKS WITH ILLUSTRATIONS BY PAUL LANDACRE. [Northridge]: Santa Susana Press, 1978. 8vo, 32pp. Blue cloth. Very good. ¶ One of 199 copies signed by Ward Ritchie. Describes 35 books published between 1931 and 1976. Landacre, who died in 1963, printed numerous single plates as well as the book illustrations described here, all in the medium of wood engraving. Lehman p.177: “excellent and detailed account, with many perosnal reminiscences of P.L.” $175.

LARK-HOROVITZ, Betty. WITH GRAVER AND WOODBLOCK OVER AMERICAN HIGHWAYS. New York: William Edwin Rudge, 1930. 4to, (58) French-fold pp, 26 woodblock prints, text to versos. Cream and black pictorial cloth, dust jacket, stain to upper board, stain to front endpapers continuing onto lower blank margins of first few leaves, otherwise very good in dj w/chips at spine head, upper edge, and lower corner of rear panel. ¶ First Edition, rare with dust jacket. $250.

LEIPNIK, F.L. HISTORY OF FRENCH ENGRAVING from the Sixteenth Century to the Present Day. London: John Lane & New York: Dodd, Mean, (1924). 4to, xviii, 191pp, frontispiece, 106 plates. Quarter cloth, a little worn. ¶ First Edition of a standard work. $40.

(Lemmen). G. LEMMEN 16.X/16.XI 1980. (Bruxelles): Horta Museum, 1980. 4to,48pp, b&w illus. Illus. wrappers, very good. ¶ Exhibition catalogue. $30.

LEVIS, Howard C. A DESCRIPTIVE BIBLIOGRAPHY OF THE MOST IMPORTANT BOOKS IN THE ENGLISH LANGUAGE RELATING TO THE ART AND HISTORY OF ENGRAVING AND THE COLLECTING OF PRINTS…[with] Supplement & Index. London: Ellis, 1912-1913. 2 vols, 4to, xix, 571pp, illustrations throughout; 141pp. Vol I: orig. blue boards backed with cloth; vol II: cloth with orig. wrappers bound in; some soiling & scuffing, but a very good set. Ex libris: Moncure Biddle. ¶ Edition limited to 350 copies. Indispensable, intelligent, and excellent in every way. Bridson & Wakeman A6. Rosenwald 2444. $300.

LIGERON, René. LA GRAVURE ORIGINALE EN COULEURS. Préface de H. Le Riche. Suivi d’un Appendice concernant l’Impression par Ch. Leblanc. Paris: Lefranc, 1923. 8vo, (9), 173pp, with 5 plates in a pocket, of which one is in color, illustrations in the text. Orig. printed wrappers, very good. ¶ Only Edition. This is a technical manual on engraving for color-printing and printing technique. The first part describes history and general principles, monotypes, and principal methods of engraving; the second part deals with etching; the third deals with aquatints and multiple plates, and the fourth with printing in black-and-white and in colors. NUC lists two copies. Courboin & Roux I, p.74. $175.

LE LIVRE FRANÇAIS des Origines à la Fin du Second Empire par Henri Martin, André Blum, Ch. Mortet, Mlle. J. Duportal, Louis Réau, Frantz Calot, Amédée Boinet et le comte Durrieu. Paris & Bruxelles: Van Oest, 1924. 4to, ix, 184, (1)pp, 104 plates, several in color. Beige buckram, label, a very good copy. ¶ Rare and valuable history of the art of the French book, with excellent plates and text, from illuminated manuscripts to the 19th century. $160.

[MABERLY, Joseph]. THE PRINT COLLECTOR, An Introduction to the Knowledge Necessary for Forming a Collection of Ancient Prints. Containing Suggestions as to the Mode of Commencing Collector, The Selection of Specimens, The Prices and Care of Prints, also Notices of the Marks of Proprietorship used by Collectors… London: Saunders & Otley, 1844. 8vo, viii, 211pp, 3 plates, a few illus. in the text. Old boards, front hinge repaired, some edge wear, internally very good. ¶ First Edition of an important work; Levis cites the New York edition of 1880 as “one of the best books published for the Print Collector…” $100.

(Lorrain, Claude). MANNOCCI, Lino. THE ETCHINGS OF CLAUDE LORRAIN. New Haven: Yale University Press, 1988. 4to, ix, 310pp 312 b/w illustrations. Black cloth, nearly fine in dust-jacket. ¶ First Edition of the catalogue raisonné, including several previously unpublished states. With bibliography, concordance, and examples of water-marks. $85.

(Masereel). ZILLER, Gerhart. FRANS MASEREEL. Mit einer Einführung von… Dresden: Veb Verlag der Kunst, 1956. 8vo, 47pp, frontisportrait, 80 plates, 27 other illustrations. Orig. stiff paper boards. Signatures to half-title, otherwise fine, in a very good dust-jacket. ¶ First Edition of this collection of reproductions of woodcuts by Masereel, with an intelligent essay by Gerhart Ziller. $75.

(McBey). CARTER, Charles. ETCHINGS AND DRY POINTS From 1924 by James McBey. A supplement to the Catalogue by Martin Hardie. Aberdeen Art Gallery: 1962. Folio, works 224-273 catalogued. Original cloth. $200.

(McBey, James). SALAMAN, Malcolm. THE ETCHINGS OF JAMES McBEY London: Halton and Truscott Smith, 1929. 4to, illustrated throughout. Original black cloth. Very good. ¶ With a pencil inscription by American graphic artist Gerald Geerlings. $100.

MELOT, Michel et al. PRINTS, History of an Art. New York: Rizzoli, (1981). 4to, 279pp, 86 color plates, 252 b/w illus. Cloth, dust jacket. Fine in orig. card slipcase. ¶ Excellent overview of the graphic arts, illustrating the work of over 150 printmakers from the fifteenth century to the present day. With a glossary of technical terms by André Béguin. $75.

Merrill Chase Galleries. REDISCOVERED PRINTMAKERS OF THE 19th CENTURY, Merrill Chase Galleries, 1978. 8vo, 99pp, illus. Wrappers. Very good. $25.

(Meryon). BURKE, James D. CHARLES MERYON PRINTS & DRAWINGS. Toledo Museum of Art; Yale University Art Gallery, 1974. 4to, xii, 113pp, 111 b/w plates. Orig. illustrated wrappers, very good. $45.

(Meryon). DELTEIL, Loys. MERYON. London: John Lane, 1928. 8vo, 62pp, 40 plates. Cloth $35.

(Meryon). DODGSON, Campbell. THE ETCHINGS OF CHARLES MERYON. London: The Studio, 1921. 4to, 28pp, 47 plates. Velin backed boards, joints worn, otherwise very good. $125.

(Meryon). SCHNEIDERMAN, Richard S. THE CATALOGUE RAISONNE OF THE PRINTS OF CHARLES MERYON. London: Garton & Co., 1990. 4to,216pp, 196 illustrations including a fold-out plate. Orig. cloth, dust jacket. Fine. ¶ The definitive catalogue raisonné of Meryon’s work, describing all known states, including ones unknown to Delteil and Wright. $200.

(Meryon). STOKES, Hugh. THE ETCHINGS OF CHARLES MERYON. London: Newnes & New York: Scribner’s, [ca. 1920]. 4to, 39pp, 47 plates. Cloth backed boards, very nice copy. ¶ With a chronological catalogue of the etchings, with references to Burty and Wedmore. A collector has made a few interesting annotations and price records beside the entries. $40.

(Meryon). STOKES, Hugh. ETCHINGS OF CHARLES MERYON. London: Newnes, [n.d., ca. 1925]. 4to, 39pp, 48 tipped in plates. Original cloth-backed boards, dustjacket. $40.

METZGAR, Judson D. ADVENTURES IN JAPANESE PRINTS BY JUDSON D. METZGAR. A Story of Oriental Print Collecting in the Early Years of the Present Century With Some Technical Criticisms on Prints and Observations On Forming a Collection. Los Angeles: Printed at the Grabhorn Press for Dawson’s Book Shop, [1943]. Folio, 167pp, 10 plates. Original decorated green boards, cloth spines & paper label. Lightly sunned, spine caps worn, a very good copy. ¶ Edition limited to 300 copies. Inscribed by the author on the front fly leaf. Japanese print collector, Metzgar reminiscences on building his formidable collection in this beautifully produced book. Laid is a brochure from a 1957 exhibition of his collection at the University of California. Grabhorn Bibliography 390. $200.

MORNAND, Pierre & J.R. Thome. VINGT ARTISTES DU LIVRE. Avec une Introduction de Raymond Cogniat. Paris: Le Courrier Graphique, (1950). 4to, 307pp, b/w illus throughout. Wrappers. Very good ¶ First Edition, limited to 1800 numbered copies. The artists surveyed include Berard, Chagall, Cochet, Denis, Falke, Frelaut, Goerg, Humbert, Jacquemin, Jouve, Laurencin, Mahn, Marchand, Masson, Matisse, Picasso, Rouault, Tremois, Van Dongen et Villeboeuf. $165.

[MOUTARD, N.L.]. MANUEL BIBLIOGRAPHIQUE DES AMATEURS, contenant l’Etat général de tous les Objets anciens et nouveaux qui sont rélatifs aux Lettres, aux Sciences, aux Arts… Ouvrage utile aux Possesseurs de Bibliothèques et de Cabinets… Paris: Bureau du Journal, 1780. Sm. 8vo, xx, 287pp. Modern marbled boards, morocco label. Text lightly browned. ¶ First Edition. Three volumes were issued, each on a separate subject and complete in itself; this volume, entitled Iconographie, deals entirely with prints, music, paintings, manuscript books of hours, enamels, miniatures, etc. Barbier III, 34. Courboin & Roux I, 20. $100.

MURDOCK, Kenneth B. THE PORTRAITS OF INCREASE MATHER With Some Notes on Thomas Johnson, an English Mezzotinter. Cleveland: William Gwinn Mather, 1924. Tall 8vo, x, 70, (1 as colophon)pp, tipped-in color frontispiece, 9 engraved plates. Quarter claf over green patterned boards, gilt lettered spine, teg, near fine. ¶ First Edition, one of 250 numbered copies, this copy inscribed by publisher Wm Mather to Los Angeles bookseller Alice Millard. Handsomely printed by Bruce Rogers at the Harvard University Press. $175.

(Nanteuil). BOUVY, Eugène. NANTEUIL. Paris: Le Goupy, 1924 Sm. 4to, 192, (7)pp, 24 plates. Orig. wrappers. Very good. $75.

(Nanteuil). LORIQUET, Ch. ROBERT NANTEUIL, Sa Vie & Son Oeuvre. Discours Adressé à la Académie de Reims… Suivi des Opuscules de Nanteuil & de Notes sur Sa Famille. Second edition, Augmentée de Documents Inédits Relatifs à sa Succession. Reims: F. Michaud, 1886. 8vo, 154pp, frontis. portrait in 2 states. Full blue morocco, gilt back and ruled borders, gilt dentelles, a.e.g., signed Afferni, bookplate of Louis R. Metcalfe. Fine copy. ¶ First Edition, one of 10 copies with an additional frontispiece portrait before letters, of a total edition of 100 copies. “In 1854, Charles Loriquet, curator of the library of Rheims, who had just completed a collection of Nanteuil’s portraits for the city museum, addressed the Academy at one of its public sittings and eloquently pleaded with the authorities to erect a monument to him who he considered second only to the great Colbert as the most illustrious son of Rheims. His description of the artist and his work created such enthusiasm that he was later induced to publish it, together with some interesting documents concerning Nanteuil. The unique little book found its way into many libraries, private as well as public, and has ever since been unfindable” (Louis Metcalfe, whose copy this is, in an essay in “Prints and their Makers,” ed. by Carrington, New York, Century, 1912). $300.

(Nanteuil). MARIE, Aristide. UN IMAGIER ROMANTIQUE. CELESTIN NANTEUIL. Peintre, Aquafortiste, et Lithographe. Paris: Carteret, 1910. 4to, 136pp, profusely illustrated. Original stiff wrappers, fine. ¶ Limited to 300 copies. Critical study of Nanteuil (1813-1873), with a bibliography of the works he illustrated and a catalogue of graphic work. $100.

(Nanteuil). MARIE, Aristide. CELESTIN NANTEUIL. Peintre, Aquafortiste et Lithogarphe. Paris: Floury, 1924. Sm 4to, 93pp, illus. Boards, original wrappers bound in. $75.

(NASH, Paul). LAMBERT, Susan. PAUL NASH AS DESIGNER. [with] LITHOGRAPHS WOOD ENGRAVINGS & DRAWINGS 1917-1941, London: P. & D. Colnaghi. London: Victoria and Albert Musuem, 1975. Oblong 4to, 19pp, 22 b&w illus; 8vo, (8)pp. Wrappers, sunning to rear wrap., otherwise both fine. ¶ Catalogue for the Nov.-Dec. 1975 exibition at the Victoria and Albert, with the Colnaghi’s gallery catalogue laid in. $50.

NEVILL, Ralph. FRENCH PRINTS OF THE EIGHTEENTH CENTURY. London: Macmillan, 1908. 8vo, x, 242, (2, ads)pp, frontis. & 50 plates. Orig. cloth, blocked in gilt. External wear & soiling, signature to title, otherwise very good. ¶ First Edition, most of which is comprised of “Detailed Descriptions of the Most Important French Engravings Executed in the XVIIIth Century, Together with Notes on Their Various States.” $35.

(Oliver, Vaughan). VAUGHAN OLIVER. Exhibition/Exposition. Nantes: CRDC, 1991. Sq 8vo, (80)pp, over 200 mostly color illus. Pictorial wrappers, translucent printed dust jacket, a fine copy in like dj. ¶ Second, “extended version” of this catalogue issued on the occasion of the exhibition held 1 June - 13 July, 1991 at the Pavillon Tusquets in Paris. Text in English and French. $35.

(OUDRY, J.-B.). CORDEY, Jean. ESQUISSES DE PORTRAITS, Peints par J.-B. Oudry, Cent Deux Reproductions de Dessins Inedits Publies avec une Etude sur Oudry Portraitiste... Paris: Pour la Societe des Bibliophiles Francois..., 1929. Sm folio, vi, 54pp, 53 hors texte plates with 103 monochrome illus. Tan portfolio with ribbon ties, lettered in black and red, vignette, backstrip detached, light soiling to boards, mild embrowning to later text leaves, and plate I, otherwise a very good, partially unopened copy with fine plates. ¶ First Edition. Along with this scholarly monograph on the portraiture of Jean-Baptiste Oudry (1686-1755) are reproductions of 102 previously unpublished watercolor portrait studies of 18th century notables. $135.

(Palmer). LISTER, Raymond. SAMUEL PALMER AND HIS ETCHINGS. New York: Watson-Guptill, 1969. 8vo, 131pp + plates. Cloth, dust jacket. ¶ First U.S. Edition. Freitag 7276. $65.

(PCN). THE PRINT COLLECTOR’S NEWSLETTER. A good run from 1970-89. 67 issues, a few marked in pencil or pen. Overall, very good. 1970 - Vol. I, No. 6.  1971 - Vol. II, Nos. 1, 2 & 3.1973 - Vol. IV, No. 6;  1974 - Vol. V, Nos. 4, 5 & 6;  1975 - Vol. VI, Nos. 1-6;  1976 - Vol. VII, Nos. 1-6;  1977 - Vol. VIII, Nos. 1-6, w. double of No. 3;  1978 - Vol. IX, Nos. 1-6;  1979 - Vol. X, Nos. 1-6;  1980 - Vol. XI, Nos. 1, 2, 3, 5 & 6l; 1981 - Vol. XII, Nos. 1, 2, 3, 4 & 6;  1982 - Vol. XIII, Nos. 1-6;  1983 - Vol. XIV, Nos. 1, 3, 4 & 5;  1984 - Vol. XV, No. 4;  1987 - Vol. XVIII, No. 6;  1988 - Vol. XIX, Nos. 1, 4, 5 & 6;   1989 - Vol. XX, Nos. 1, 3. $75.

(Pennell). WUERTH, Louyis A. CATALOGUE OF THE ETCHINGS OF JOSEPH PENNELL. With an Introduction by Elizabeth Robins Pennell. Boston: Little, Brown, 1928. Folio, xx, 312pp. Original etched frontispiece of The Bridges from Brooklyn (1921) and 854 aquatone reproductions of etchings. Quarter calf, cloth. ¶ Edition limited to 425 numbered copies. Riggs p.617. $500.

PETERS, Harry T. AMERICA ON STONE, The Other Printmakers to the American People, A Chronicle of American Lithography other than that of Currier & Ives, from its Beginning Shortly before 1820, to the Years when the Commercial Single-Stone Hand-Colored Lithograph disappeared from the American Scene. (New York: Arno Press, 1976). 4to, 18 color & 136 b/w plates. Cream buckram. Very good. ¶ Good reprint of the rare 1931 limited edition. $300.

PINCKARD, W.H., Jr. A NOTE ON TRADITIONAL JAPANESE PRINT SIZES. Los Angeles: Press of the Pegacycle Lady, 1980. 12mo, 8pp printed on Japanese paper, hand-sewn into Japanese paper wrappers. Mint. ¶ Limited to 400 copies. Definitions of 17 terms used in classifying Japanese prints, plus background information. Printed by Patrick Reagh. $10.

(Piranesi). HIND, Arthur. GIOVANNI BATTISTA PIRANESI. A Critical Study with a List of his Published Works… London: Cotswall Gallery, 1978. Small 4to, 95pp, frontispiece, 74 plates containing 146 illustrations. Cloth, dust-jacket, fine. ¶ A reprint of the first edition of 1922. Contains detailed catalogues of the Prisons and the Views of Rome; standard reference. Lucas p. 178. Riggs p.626. $50.

(Piranesi). MAYOR, A. Hyatt. GIOVANNI BATTISTA PIRANESI. New York: H. Bittner, 1952. 8vo, (viii), 41, 135 illustrations. Red cloth. Very good. ¶ First Edition. Lucas p. 178. Freitag 7558. $50.

(Piranesi). ROBISON, Andrew. PIRANESI, Early Architectural Fantasies, A Catalogue Raisonne of the Etchings. Chicago: University of Chicago, 1968. Oblong Folio, 241pp, illustrated throughout. Cloth with dust jacket. $135.

(Piranesi). WILTON-ELY, John. THE MIND AND ART OF GIOVANNI BATTISTA PIRANESI. With 391 Illustrations, Including the Complete Vedute di Roma and Carceri d’Invenzione in Full-Page Reproductions. (London): Thames and Hudson, (1978). 4to, 304pp, frontispiece, 390 b&w illus. Burnt orange cloth, gilt lettered, dust jacket, mild scuff to upper board, binder’s sm error to ffep & fpep gutter, otherwise near fine in like dj. ¶ First Edition. $150.

PORZIO, Domenico. LITHOGRAPHY, 200 Years of Art, History, & Technique… translated from the Italian by Geoffrey Culverwell. New York: Abrams, (1983). 4to, 280pp, 284 illus, including 96 color. Cloth, fine in dust jacket. ¶ The best study of the historical and aesthetic development of lithography, with glossary, biographies, and bibliography; essays by Jean Adhemar, Jacqueline Armingeat, Michel Melot, Fernand Mourlot, and Alain Weill. $75.

(Prendergast). LANGDALE, Cecily. MONOTYPES BY MAURICE PRENDERGAST in the Terra Museum of American Art. Chicago: Terra Museum, (1984). 8vo, 159, (1)pp, 72 illus. incl. 52 in color. Orange cloth, gilt lettered, dust jacket, fine in near fine dj. ¶ First Edition, with the eight-page Addenda laid in. $30.

(Redon). BERGER, Klaus. ODILON REDON. Fantasy and Colour. Translated by Michael Bullock. New York: McGraw-Hill, [n.d]. 4to, 244pp, approx. 200 illus. (many color). Orig. cloth, nearly fine in fine dust jacket. ¶ First Edition. $200.

(Redon, Odilon). ROGER-MARX, Claude. ODILON REDON, D’Après un Dessin de l’Artiste, gravé sur Bois par G. Aubert. [Paris: Nouvelle Revue Française, after 1924]. 4to, 63pp, incl. 22 plates after Redon. Orig. wrappers, printed in red and black. Spine worn & wrappers lightly soiled, otherwise very good. ¶ Third edition, limited to 215 copies. With an introduction by Claude Roger-Marx. $35.

(Redon). ROGER-MARX, Claude. ODILON REDON, D’après un Dessin de l’Artiste, gravé sur Bois par G. Aubert. [Paris: Nouvelle Revue Française, 1924]. 4to, 63pp, incl. 22 plates after Redon. Orig. wrappers, printed in red and black. Very good. ¶ First edition, limited to 250 copies. With an introduction by Claude Roger-Marx. $50.

REDON, Odilon. ALS to “Cher Brouchaers [?],” one page, 12mo, 6th March, no year. ¶ An affecting letter of condolence, mentioning that Madame Redon will go to the funeral alone, since “Je vois trop souvent mourir.” $300.

(Rembrandt). BOON, K.G. REMBRANDT. THE COMPLETE ETCHINGS. New York: Abrams, 1963. Folio, 42pp, 307 plates. Cloth, dust jacket. Very good. $75.

(Rivière). FIELDS, Armond. HENRI RIVIERE. Introduction by Victoria Dailey. Salt Lake City: 1983. Oblong 8vo, xviii, 93pp, illustrated throughout and including 16 color plates. White cloth, gilt, decorative dust-jacket, new. ¶ The only major study of Rivière (1864-1951) since the Toudouze monograph and catalogue in 1907, and the first biography of “the father of color lithography”. $30.

ROGER-MARX, Claude. LA GRAVURE ORIGINALE AU XIXe SIECLE... Paris: Editions Aimery Somogy, 1962. 8vo, 255pp, b/w and color illus. throughout. Gray cloth with illus. vignette, dust jacket, a fine copy in very good dj. ¶ First Edition of a classic text on 19th-century French printmaking. $75.

ROGER-MARX, Claude. GRAPHIC ART THE 19TH CENTURY. New York: McGraw-Hill Book, (1962). 8vo, 254pp, 168 plates, 16 in full color. Beige linen cloth, dust jacket chipped at head & foot of spine, & with few chips, otherwise a very good copy. $30.

(Rops, Felicen). ARWAS, Victor. FELICIEN ROPS. London: Academy Editions/ NY: St. Martin’s Press, (1972). 4to, cloth, dust jacket. Very good copy. ¶ First Printing - scarce in the cloth bound issue. $75.

(Rops). RAMIRO, Erastène. SUPPLEMENT AU CATALOGUE DE L’OEUVRE DE FELICIEN ROPS. Illustrations de Felicien Rops. Fleurons et Culs-de-lampe par Armand Rassenfosse. Paris: Librairie Floury, 1895. 4to, xii, 171pp, illus throughout incl 6 engraved plates. Later half terra-cotta cloth over marbled boards, occasional scattered foxing, otherwise very good in fine binding. ¶ First Edition of this scarce catalogue. $750.

ROSE, James Anderson. A COLLECTION OF ENGRAVED PORTRAITS. Catalogued & Exhibited by James Anderson Rose at the Opening of the New Library & Museum of the Corporation of London, November, 1872. With a Preface on Engraving… London: Marcus Ward, 1874. 4to, xvi, 172pp, frontis. & 100 plates. Dark green pebbled calf, raised bands, a.e.g., marbled endpapers, flyleaves foxed, a very good copy. ¶ First Edition. Levis p.224-25. $150.

SALAMAN, Malcolm. OLD ENGLISH MEZZOTINTS… Edited by Charles Holme. London: The Studio, 1910. 4to, 43pp text, 128 tipped in plates. Cloth, spine ends a little worn, very good. ¶ First Edition. Levis pp.134-35: “It contains… an interesting essay on Old English Mezzotints, followed by an excellent series of reproductions…” Together with a 1929 Colnaghi catalogue “Male Portraits in Mezzotint.” $65.

SALAMON, Ferdinando. THE HISTORY OF PRINTS & PRINTMAKING FROM DURER TO PICASSO. A Guide to Collecting. New York: American Heritage Press, (1972). 4to, 303pp, incl. color & b&w illus. throughout. ¶ First American Edition. $45.

SCHRETLEN, M.J. DUTCH AND FLEMISH WOODCUTS OF THE FIFTEENTH CENTURY. With a Foreword by M.J. Friedlaender. London: Ernest Benn, 1925. 4to, (ix), 71pp text + 84 b&w collotype plates. Cloth, dust jacket. Some spotting as usual, bookplate. Very good. ¶ First Edition, forming an important addition to Conway’s The Woodcutters of the Netherlands (1884). The author deals with incunabular book illustration and includes a section on block books (but does not treat single woodcuts). $125.

(Shannon). CHARLES SHANNON. London: Ernest Benn, 1924. 4to, 30pp, frontis. & 35 b/w plates. Quarter blue cloth. Acres of Books stamp on endpaper, otherwise Very good. ¶ Contemporary British Artists series, edited by Albert Rutherston, the introduction signed E.B.G. $45.

(Sharaku). HENDERSON, Harold G. & Louis V. Ledoux. THE SURVIVING WORKS OF SHARAKU. New York: Weyhe, 1939. 4to, 337pp with 104 b&w illustrations. Cloth. Good. ¶ First Edition. Catalogues and illustrates all of the known works of Sharaku, best known for his portraits of actors. Includes character and cast sheets for productions, plots, and character descriptions that correspond to Sharaku prints. Abrams M266. $125.

(Shore). AIKIN, Roger and Richard Lorenz. HENRIETTA SHORE. A Retrospective Exhibition: 1900-1963. Monterey Peninsula Museum of Art, 1986. 4to, 72pp, profusely illustrated. Orig. wrappers, fine. ¶ Major reference on Shore. $20.

(Short). HARDIE, Martin. THE LIBER STUDIORUM MEZZOTINTS OF SIR FRANK SHORT After J.M.W. Turner. London: Print Collector’s Club, 1938. Sm. 4to, 129pp, illus. Original cloth. ¶ Edition limited to 510 copies. $75.

(Short). HARDIE, Martin. THE MEZZOTINTS AND AQUATINTS OF SIR FRANK SHORT Other than those for the Liber Studiorum. London: Print Collector’s Club, 1939. Small 4to, 75pp. Original cloth. ¶ Edition limited to 400 copies. $75.

SIEURIN, J[acques]. MANUEL DE L’AMATEUR D’ILLUSTRATIONS. Gravures & Portraits. Paris: Labitte, 1875. 8vo, 242pp. Modern cloth, morocco label, orig. wrappers preserved, resewn. Fine. ¶ Catalogue of 18th and 19th century illustrated books, arranged by author. Colin 91. Courboin & Roux 269. $135.

(Slevogt). WALDMANN, Emil. MAX SLEVOGTS GRAPHISCHE KUNST. Dresden: Ernst Arnold, 1921. Lg. 8vo, 24, (2)pp, 96 plates. Orig. velin backed boards, very good. ¶ Early study of Slevogt’s etchings and lithographs; numbered from an unspecified edition. Max Slevogt (1868-1932) studied at the Munich Academy and gave his first exhibition in Munich in 1892; his earliest book illustrations were accomplished around 1900 to 1902. “His talent for pictorial narration is the sole factor determining the expressive manner of his illustrations. However, late Impressionist elements and, in his later period, Expressionist elements can be found in his work, along with pictorial motifs and stylistic attitudes which were part of Art Nouveau and had an influence on him” (Hofstatter). $100.

SMITH, Charles. ABSTRACTIONS. With a Foreword by Carol O. Schniedwind. New York: The Johnson Company, (1939). 4to, 6 color prints, numerous b/w reproductions. Cloth. Very good. ¶ First Edition, complete with six original woodcuts. Charles Smith (1893-1987) taught at the University of Virginia, the College of William and Mary, and the New York School of Printing. A member of the American Abstract artists group, he exhibited at the Art Institute of Chicago, the Museum of Non-Objective Painting, and The Museum of Modern Art. $2000.

(Steinlein). DELMET, Paul. CHANSONS DE MONTMARTRE. Preface de Maurice Boukay. Dessins de Steinlein. Paris: Enoch & Cie; Ernest Flammarion, [1898]. 4to, 15 lithographic plates & 18 text illus. by Steinlein. Quarter calf, marbled boards. Some wear to backstrip but a very good copy. ¶ First Edition of a handsome volume with original lithographic plates. Crauzat L’Oeuvre Grave & Lithographie de Steinlein, 597 (and see nos. 218 - 231). $500

(Steinlein). Crauzat, E. de. L’OEUVRE GRAVE ET LITHOGRAPHIE DE STEINLEN. Catalogue Descriptif et Analytique suivi d’un Essai de Bibliographie et D’Iconographie de son Oeuvre Illustre. Preface by Roger Marx. Paris: Societe de Propagationes Livres d’Art, 1913. 4to, xv, 231pp, copiously illustrated. Orig. wrappers with embossed medallion by Naoum Aronson. Very good copy, within chemise and slipcase. ¶ First Edition, one of 575 copies printed, this copy unfortunately lacking the three original etchings. $350.

(Steinlen). CATE, Phillip Dennis and Susan Gill. THEOPHILE-ALEXANDRE STEINLEN. Salt Lake City: Gibbs Smith, 1982. 4to, 165pp, illus. Original stiff wrappers. $35.

(Studio). GRAPHIC ARTS OF GREAT BRITAIN, Drawing, Line-Engraving, Etching, Mezzotint, Aquatint, Lithography, Wood-Engraving, Colour-Printing. Edited by Charles Holme, Text by Malcolm C. Salaman. London: The Studio, 1917. 4to, viii, 156pp, illus. Quarter calf, light wear to spine, armorial bookplate, very good. ¶ Bound with the Year-Book of Decorative Art 1918, devoted mainly to architecture and interior decoration. The Graphic Arts volume includes works by Beardsley, Blake, Calvert, Condor & Shannon, Nicholson, Tenniel, Whistler, et al. $100.

TOULOUSE-LAUTREC, Henri - Gotz Adriani. TOULOUSE-LAUTREC, Das Gesamte Graphische Werk. Der Katalog im Anhang entstand in Zusammenarbeit mit Wolfgang Wittrock. Koln: DuMont Buchverlag, (1976). 8vo, 283pp illustrated thoughout. Wrappers. Very good. ¶ Illustrated catalogue raisonné of Lautrec’s graphic work. $20.

(Toulouse-Lautrec). LECLERCQ, Paul. AUTOUR DE TOULOUSE-LAUTREC. Paris: H. Floury, 1921. 4to, 45, (3)pp, 8 b/w hors-texte plates, 3 text illus. Paper-covered boards, upper board utilizing orig. illus. wrapper, orig. wrapper title mounted at spine, mild embrowning at outer leaves and uncut edges, a nearly fine copy. ¶ First Edition. $100.

(Turner). A CATALOGUE OF THE COLLECTION OF PRINTS FROM THE LIBER STUDIORUM OF JOSEPH MALLORD WILLIAM TURNER FORMED BY THE LATE FRANCIS BULLARD. Boston: Privately Printed, 1916. Sm. folio, (x), 204pp, 91 plates. Cloth backed boards, light edge wear, Harvard bookplate marked withdrawn. ¶ First Edition, one of 300 copies. A catalogue raisonne of the excellent Bullard collection, now at the Boston Museum of Fine Arts. 91 prints are illustrated and the variant states described. Bullard was the nephew of Charles Eliot Norton. $150.

(Turner). PYE, John & John Lewis Roget. NOTES & MEMORANDA RESPECTING THE LIBER STUDIORUM OF J. M. W. TURNER, R.A. Written & Collected by the Late John Pye, Landscape Engraver. Edited, with additional Observations, and an Illustrative Etching by John Lewis Roget. London: John Van Voorst, 1879. 8vo, viii, 100, (4)pp, frontispiece. Quarter green calf, gilt title, head & foot of the spine chipped, lacking ffep, stamp on pastedown, otherwise very good. ¶ First Edition. Levis p.122: “This contains many interesting notes and observations, but no catalogue.” $100.

(Vallotton). St James, Ashley. VALLOTTON: GRAPHICS. (London): Ash & Grant, (1978). 4to, 31, 48 text illus., 32 b&w hors-text plates. Illus. wrappers, mild wear, near fine. ¶ First Edition in wrappers. $60.

(Vallotton). (DORIVAL, Bernard). VALLOTTON. Musée National d’Art Moderne. Paris 15 Octobre - 20 Novembre 1966. (Paris): Ministère des Affaires Culturelles, (1966). Sq. 8vo, 79pp, incl. 10 plates, 11 additional plates. Orig. pictorial wrappers, very good. ¶ Useful exhibition catalogue. $30.

(Van Dyck). CARPENTER, William Hookman. PICTORIAL NOTICES. Consisting of a Memoir of Sir Anthony Van Dyck, with a Descriptive Catalogue of the Etchings Executed by Him: and a Variety of Interesting Particulars Relating to Other Artists Patronized by Charles I. Collected From Original Documents in Her Majesty’s State Paper Office, the Office of Public Records, and Other Sources. London: James Carpenter, 1844. 4to, vi, 197pp, frontispiece, facsimile ALs, 1 port. Later red cloth, gilt lettered, bookplate, slight sunning to spine and some spotting, otherwise very good. ¶ First Edition. $300.

(Vierge). CLEMENT-JANIN. DANIEL VIERGE. Paris: Jules Meynial, 1929. 4to, 116pp, illustrations. Original wrappers. ¶ Edition limited to 300 copies. $150.

(Vuillard). ROGER-MARX, Claude. L’OEUVRE GRAVE DE VUILLARD. Monte Carlo: Sauret, 1948. Folio, 67 works catalogued. Cloth, dustjacket. Very good. ¶ The catalogue raisonne, limited to 2500 numbered copies, the lithographs finely printed by Mourlot from the same number of plates and colors as the originals. Freitag 10074. $300.

WALMSLEY, Edward (ed.). PHYSIOGNOMICAL PORTRAITS. One Hundred Distinguished Characters, from Undoubted Originals, engraved in the Line Manner, by the Most Eminent British Artists. London: J. Major, 1822-24. 2 vols, 4to, engraved title-page (12)pp, 100 mounted India proof plates each with 4pp of text. Half red morocco, gilt back, a very good large-paper copy. ¶ Large-paper copy with the plates in India proof state, with portrait of Beroge IV on Dante, Martin Luther, Louis XVI, Oliver Cromwell, Shakespeare, Isaac Newton, Albrecht Dürer and Petrarch are amongst those elegantly rendered by eminent engravers of the 1820s, such as Finden, Armstrong and John Wedgwood. $500.

(Ward). GRUNDY, C. Reginald. JAMES WARD, R.A. HIS LIFE AND WORKS With a Catalogue of his Engravings and Pictures. London: Otto, 1909. 4to, 75pp, color frontispiece, 36 plates, 5 in color. Printed and dec. wrappers, onlaid illus., good. ¶ First Edition, Connoisseur Magazine Extra Number. Freitag 10106. $50.

(Warhol, Lautrec). L’Union des Arts Décoratifs. LE PEINTRE & L’AFFICHE DE LAUTREC A WARHOL. Paris: Musée de l’Affiche et de la Publicité, 1988. 8vo, 133, (3)pp, illus. Printed wrappers. Mildly rubbed, nearly fine copy. ¶ Catalogue of the exhibition of graphic arts in advertising held 23 March through 11 May at the Musée de Publicité in Paris. $35.

(Watteau). Emile Dacier & Albert Vuaflart. JEAN DE JULLIENNE ET LES GRAVEURS DE WATTEAU Au XVIII Siècle Par… Paris: Pour Les Membres de la Société, 1921-22. 2 vols in 1, 172, 31 b&w figures, 152pp. Quarter gray cloth over marbled boards, brown paper spine label, original wrappers preserved, spine shelf-darkened and soiled, lt.-mod. wear to extremities, library bookplate. Plate volume with 316 engravings, some more than one per page, loose in portfolio, plus title- and engraver indices. Light browning mostly at margins, occasional bumping at edges, otherwise very good. ¶ First Edition. From the 4 volume definitive work on the engravings of Watteau, volume II Historique; volume III Catalogue. $135.

WAYNE, June - John Donne. SONGS & SONNETS. Lithographs... [Paris]: Chez l’Artiste, 1959. Folio, 15 original prints with conjugate letterpress titles & poems, laid in cloth folding case. ¶ Copy 31 of 110 on Rives (13 additional copies were printed for collaborators), signed by Wayne on the colophon who has also inscribed this copy for Anna Bing Arnold on the occasion of her marriage in 1961. Each of the sombre stone lithographs is signed and numbered by the artist. The letterpess and binding were executed by Bruder Hartmann, Berlin. “It is to June Wayne’s eternal credit that she has undertaken the heroic task of ‘setting’ some of the lines of John Donne to ‘visual music,’ and thus become one of the first American artists to illustrate a great poet. The plates pulled in Paris, the text printed in Berlin, the whole has resulted in a new triumph for the contemporary art of the book” (Ebria Feinblatt, June Wayne Prints & Drawings, LACMA, 1959, a copy of which is included). $2500.

WEDMORE, Frederick. ETCHINGS. London: G.P. Putnam’s, 1911. 4to, xii, 237pp, 44 plates. Green cloth, gilt, light wear, engraved bookplate, good. ¶ First Edition. $30.

WEISBERG, Gabriel P., et al. JAPONISME. Japanese Influence on French Art 1854-1910. Cleveland: Cleveland Museum of Art, 1975. 4to, 220pp, tipped-in frontispiece, 308 illus. Pink cloth, gilt lettered, dust jacket, bookplate, fine in very good dj. ¶ First Edition. $150.

WEITENKAMPF, Frank. FAMOUS PRINTS, Masterpieces of Graphic Art Reproduced from Rare Originals. With an Introduction and Critical Notes by… New York: Charles Scribner’s Sons, 1926. Folio, 70 collotype plates with descriptive letterpress. Cloth, a little soiled, front hinge cracked. ¶ One of 1025 numbered copies. $100.

(Whistler). CARY, Elisabeth Luther. THE WORKS OF JAMES McNEILL WHISTLER A Study... with a Tentative List of the Artist’s Works. New York: Moffat, Yard & Company, 1907. Thick 8vo, (14), 302pp. With a gravure frontispiece and 30 plates. Orig. printed boards, cloth backstrip, very good. ¶ First Edition. Best work of its time and still useful, with a history of Whistler’s artistic life and theories, an account of the Japanese influence, and lists of paintings, lithographs, and etchings. Wilde once said of Whistler that his main fault was that he spelled art with a capital I. Freitag 10246. BAL 9, p.12. $30.

(Whistler). E.R. & J. Pennell. THE LIFE OF JAMES McNEILL WHISTLER. Philadelphia: Lippincott, [1920]. 8vo, xxii, 454pp, illustrated throughout. Mustard cloth backed boards, some foxing and fading. ¶ Revised sixth edition of the classic biography. BAL 9, p.14; Freitag 10261. $25.

(Whistler). GALLATIN, A[lbert]. PORTRAITS OF WHISTLER. A Critical Study and an Iconography. New York: John Lane, 1918. 4to, 82pp, plates. ¶ One of 25 copies signed and numbered by the author of a total edition of 250. The catalogue raisonne of portraits of Whistler by numerous artists including self-portraits. A former owner has annotated an entry for a portrait by Beardsley by adding three more descriptions. In all, 287 portraits are described. This is an expanded version of the 1913 edition which listed 202 portraits. BAL 9, p.14. $300.

(Whistler). GALLATIN, A[lbert]. THE PORTRAITS AND CARICATURES OF JAMES MCNEILL WHISTLER. AN ICONOGRAPHY. London: John Lane, 1913. 8vo, 54pp, plates. Cloth. ¶ Edition limited to 500 copies signed by the author. BAL 9, p.14. $75.

WHISTLER. TEN O’CLOCK, A Lecture. Portland: Thomas Bird Mosher, 1917. 8vo, xii, 54pp. Boards. Very good. ¶ Mosher edition, one of 450 printed, of Whistler’s famous lecture, delivered in 1885. Cf. Seitz 14; Freitag 10251. $40.

Whistler. NOCTURNES, MARINES, & CHEVALET PIECES. Small Collection Kindly Lent by Their Owners. (London: Goupil Gallery, 1892). 8vo, 29pp. Brown wrappers, edges & spine lightly worn. Very good. ¶ First Edition, third issue. Catalogue of the famous exhibition at the Goupil Gallery which marked the turn in the tide of public appreciation of Whistler’s work. The catalogue went through six printings during the exhibit. BAL 21336 (first state). Brewster 17. Hunter 20. Seitz 23. $100.

WHISTLER. THE GENTLE ART OF MAKING ENEMIES. London: Heinemann, 1890. 8vo, (16), 292pp. Cloth backed boards, slit in back strip, light edge wear, bookplate of Robert Henry Thurston, otherwise very good. ¶ First Authorized Edition, preceded by Sheridan Ford’s unauthorized edition. For a history of the publication of this work see the Pennells’ Life of Whistler, 1911, pp.285-90. With the correct points noted by BAL 21334. $125.

(Whistler). THE JOSEPH AND ELIZABETH ROBINS PENNELL COLLECTION OF WHISTERLIANA... Washington DC: Library of Congress, 1921. 8vo, 65pp, brown wrappers, slightly moisture staining. Good. $25.

(Whistler). A.E. Gallatin. THE PORTRAITS AND CARICATURES OF JAMES McNEILL WHISTLER. An Iconography by A.E. Gallatin. London & New York: John Lane, 1913. 8vo, (xiv), (56)pp + 20 plates (3 printed in gravure with plate mark). Orig. cloth, leather label worn, otherwise very good. ¶ First Edition, blind stamped “Review Copy with John Lane’s Compliments.” Of the 20 portraits illustrated, 10 were previously unknown. Includes portraits by Fantin, Boldini, Nicholson, Spy, Keene and Beardsley, together with several self-portraits. Photographs are also noted. 500 copies were printed by D.B. Updike at the Merrymount Press. $100.

(Whistler). EDDY, Arthur Jerome. RECOLLECTIONS AND IMPRESSIONS OF JAMES A. McNEILL WHISTLER. Philadelphia: J.B. Lippincott, 1904. 8vo, 296pp. Quarter cloth, abit rubbed. Good. ¶ First Edition $25.

(Whistler). [GALLATIN, Albert Eugene]. WHISTLER. NOTES AND FOOTNOTES And Other Memoranda. By A.E.G. New York: The Collector & Art Critic, 1907. 8vo, 96, (1)ads pp, frontis, 8 plates. Orig. cloth backed boards, very good. ¶ First Edition, limited to 250 copies; Gallatin’s astute observations on Whistler as well as Leonardo, Shinn, Hassam and others. $50.

(Whistler). [GALLATIN, Albert Eugene]. WHISTLER. NOTES AND FOOTNOTES And Other Memoranda. By A.E.G. New York: The Collector & Art Critic, 1907. 8vo, 96, (1)ads pp, frontis, 8 plates. Half tan morocco, marbled boards, gilt butterflies in spine compartments, Whistler’s butterfly in gilt on front board. Light rubbing, but very good. ¶ First Edition, limited to 250 copies; Gallatin’s astute observations on Whistler as well as Leonardo, Shinn, Hassam and others. $100.

(Whistler). PENNELL, E.R. & J. THE WHISTLER JOURNAL. Philadelphia: J.B. Lippincott, 1921. 8vo, xxi, 339pp, plates. Quarter mustard cloth, light wear, very good. ¶ First Edition of “the story of the life Whistler lived with us during the three years after he asked us to write it [his biography], and the story he told us of the sixty-six previous years of his troubled, triumphal career” (Preface). BAL 9, p.14. $45.

WOLF, Alice. THE EDWARD B. GREENE COLLECTION OF ENGRAVED PORTRAITS & PORTRAIT DRAWINGS AT YALE UNIVERSITY. A Catalogue compiled by Alice Wolf, with a Preface by Theodore Sizer. New Haven: Yale University Press, 1942. 4to, 133pp, 35 plates with 44 b&w illustrations. Black cloth, nearly fine. ¶ First Edition, limited to 500 copies. Includes European engraved portraits and portrait drawings from the sixteenth to the nineteenth century, with the German sixteenth century and the French engravings of the seventeenth century best represented. Theodore Sizer notes in his preface that an attempt has been made to elucidate the less obvious details. Armorial bearings and symbolic devices have been interpreted; poetical and explanatory inscriptions, except those in French, have been translated in full. There is a cross-index of engravers. $40.

WOODBERRY, George E. A HISTORY OF WOOD-ENGRAVING. New York: Harper & Brothers, 1883. 8vo, 221, (2 ads)pp, illustrated. Orig. green decorative cloth, library marks on rear endpapers, spine a little worn and with number, small dampstain to corner of text, otherwise very good. ¶ First American Edition, with chapters on block-books, early printed books, Durer, Holbein, etc. Levis p.151: “An excellent book, well illustrated and printed. One of the best on the subject.” $35.

(Woodcuts). WHITEHOUSE, J. Howard. WOODCUTS by Members of Bembridge School. Edited with an Introduction by J. Howard Whitehouse. Cambridge: University Press, 1926. 8vo, xi, 99pp, woodcuts throughout. Orig. quarter cloth, printed paper label on backstrip, decorative woodcut label on upper cover, very good. ¶ Only printing of this collection of examples of the work by students at the Bembridge School, with J. Brandon-Jones, Adrian Beach, and Geoffrey Eyles dominating. $60.

 

(Yoshitoshi). STEVENSON, John & Min Yee. YOSHITOSHI’S ONE HUNDRED ASPECTS OF THE MOON. San Francisco Graphic Society, [ 1992]. 4to, 272pp, illus. in color throughout. Cloth, dust jacket. Very nice. ¶ First Edition. $300.